May 15th, 2012
But whether you read “Rip Van Winkle” as a statement on politics, marital relations, or as a tale that binds history to nature – Van Winkle’s bowling partners are determined to be Hendrick Hudson’s crew, and summer thunder in the Catskills is taken to be the sound of their pins crashing – the fact remains: Rip Van Winkle does nothing and gets away with it.

I wrote a little thing about Rip Van Winkle for the Hudson Valley magazine Green Door

May 10th, 2012
I’ll be reading at a night of Say Anything fan fiction a week from Saturday at BookCourt. It’s a Brooklyn Writers Space event that’s part of Brooklyn’s Lit Crawl. I talk all about it at The Huffington Post.

I’ll be reading at a night of Say Anything fan fiction a week from Saturday at BookCourt. It’s a Brooklyn Writers Space event that’s part of Brooklyn’s Lit Crawl. I talk all about it at The Huffington Post.

May 5th, 2012

Sam Anderson and David Rees auctioning off a copy of How to Sharpen Pencils at Hudson Valley Auctioneers. (Taken with instagram)

May 5th, 2012

At the Beacon Auction House, for comedy. (Taken with instagram)

May 3rd, 2012

Feels good to be back on the masthead at a newsweekly after all these years.

April 29th, 2012
Do all your work as though you had a thousand years to live; and as you would if you knew you must die to-morrow.

Mother Ann, founder of the Shakers. Heard this in an old Ken Burns doc last night and liked the paradox of it.

April 29th, 2012

thesageofabsurd:

‎”I detest my own past and that of others. I detest resignation, patience, professional heroism and all those nice, obligatory sentiments. I also detest the decorative arts, folklore, publicity, the voice of speakers, aerodynamics, boy scouts, the smell of gasoline, topical matters and drunkards. I love subversive humour, freckles, knees, the long hair of women, the laugh of young children at liberty, a young girl running in the street. I wish for real love, the impossible and the utopian. I fear knowledge of my exact limits.” 

René Magritte

Reblogged from BlackBook
April 27th, 2012

Badlands (1973)
dir. Terrence Malick
8/10

What a poster.

(Source: enmn)

April 23rd, 2012

Just gave away 19 copies of A Prayer for Owen Meany (plus one of The History of Love) in 7 minutes and 36 seconds for World Book Night. So I guess that’s the time to beat, no?

April 22nd, 2012
nevver:

“Your mind will answer most questions if you learn to relax and wait for the answer.”   — William S. Burroughs

nevver:

“Your mind will answer most questions if you learn to relax and wait for the answer.”
William S. Burroughs

Reblogged from this isn't happiness.
April 22nd, 2012
Life is something that happens when you can’t get to sleep.

Fran Lebowitz (via iamblessed) (via quote-book) (via pinkeezy) (via libraryland)

Reblogged from Libraryland
April 18th, 2012

Dialastar.com and the Future of Micro-Access

At first blush, dialastar.com appears to be a crass scheme by a former porn star to leverage the shameless desperation of attention-starved D-listers and  the lower impulses of celebrity-crazed American dimwits and/or ironic potheads. And it is all that. Users pay up to $25/minute to speak to future trivia questions like Michael Lohan, Chris Crocker, and Angie Everhart.

But might it also be more?

While credible literary lights like Emerson, Dickens, and Twain supported themselves — in their day — via public appearances, something has always struck me as not quite right about returning to that model. For one thing, it will mean we have arrived at a point where each pole of the marketing magnet — the book and the tour — is supposed to pay for the other, with the result that both are given away. Plus, the idea of supporting modern media with something so 19th-century as a speaking tour is just a little too steam-punky, if you know what I mean.

But this dialastar.com, this makes sense. What Emerson, Dickens, and Twain were really selling — after all — was access. Writing was their advertisement, but proximity was their product. And for many writers, who make livings as academics, it still is. The paid speaking tour hasn’t gone away. We’ve just jacked up the price, extended it to two years, and dratically limited enrollment (although probably still not by enough.) We sell maxi-access to writers, in the form of MFAs. But what about micro-access? Where’s the model for that? Maybe it’s dialastar.com.

Imagine dialanauthor.com, a site where you can talk to Jonathan Franzen or Jennifer Egan or, gulp, David Patterson for $5/minute or $5/minute or $500/minute (respectively). Do you think people would call? Do you even doubt for a minute that they would? Can you imagine if Don DeLillo and Thomas Pynchon were on there?

Discuss.

April 16th, 2012
vol1brooklyn:

Going to revisit this one for his birthday: Drinking Like A Kingsley Amis Character.

What a crazy cover. Makes it look like an Elvis Presley vehicle.

vol1brooklyn:

Going to revisit this one for his birthday: Drinking Like A Kingsley Amis Character.

What a crazy cover. Makes it look like an Elvis Presley vehicle.

Reblogged from

PRAISE FOR
WHY THEY CRIED



"... demonstrates real insight into the way we live now."
–The Rumpus

"Reminiscent of George Saunders and James Thurber, Why They Cried is a great collection of modern tales."
–Hannah Tinti, author of The Good Thief and co-founder of One Story

"Jim Hanas has a remarkable talent for imagining and crafting uncanny little worlds that make me vaguely nervous. And yet I never want to leave."
–Rob Walker, co-founder of Significant Objects

"A tender and smart assembly of fiction about people trying to communicate—with each other, the world—and all the ways they fail. Fail better, fail beautifully."
–Fiona Maazel, author of Last Last Chance

Jim Hanas is the author of the short story collection Why They Cried (Joyland eBooks/ECW Press) and social media editor at The New York Observer.

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