September 7th, 2011
Until pretty recently, everyone from creative directors to book editors had it pretty good. Their positions were based on the possession of vague, unimpeachable knacks — for lack of a better word — for assembling or choosing aesthetically appealing and relevant communications, whether these were advertisements, say, or novels. The effectiveness of their assemblages and choices could be evaluated in retrospect, of course, but never absolutely isolated — leaving a lot of wiggle room for extraneous factors like personality or “vision.” Assorted bullshit, in other words.

PRAISE FOR
WHY THEY CRIED



"... demonstrates real insight into the way we live now."
–The Rumpus

"Reminiscent of George Saunders and James Thurber, Why They Cried is a great collection of modern tales."
–Hannah Tinti, author of The Good Thief and co-founder of One Story

"Jim Hanas has a remarkable talent for imagining and crafting uncanny little worlds that make me vaguely nervous. And yet I never want to leave."
–Rob Walker, co-founder of Significant Objects

"A tender and smart assembly of fiction about people trying to communicate—with each other, the world—and all the ways they fail. Fail better, fail beautifully."
–Fiona Maazel, author of Last Last Chance

Jim Hanas is the author of the short story collection Why They Cried (Joyland eBooks/ECW Press) and director of audience development at HarperCollins Publishers.

Contact